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November 25, 2014

Putri Salbiah

RITUAL ASPECT IN SHAKESPEAR’S DRAMA IS RELATED TO EUROPEAN CIVILIZATION

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By :
PUTRI SALBIAH
116224016
                     
     

UNIVERSITAS MUSLIM NUSANTARA ALWASHLIYAH
MEDAN
2014



PREFACE

Praise God Almighty for all the abundance of grace, Inayah, so that I can complete the preparation of this paper in the form and content that is very simple. Hopefully this paper can be used as a reference, instructions
My hope this paper may help increase knowledge and experience for the reader, so that I can improve the shape and content of the paper so that the future can be better.

This paper I admit there are still many shortcomings due to the experience I have had very less. By because I expected it to readers to provide inputs that are build to perfection this paper.










Medan, 24 November 2014
Putri Salbiah
RITUAL
Ritual is some activities that be implemented for the symbolic of purpose. Ritual was implemented based on a religion or can be based on tradition of a certain community. Activities in ritual usually have set and did not implement carelessly.
THE RITUAL is part of the Law of the Fraternity. The Ritual has equal force and validity in all respects with the Constitution of the Fraternity.[1] These are short and simple ceremonies prescribed by Ritual, which take only a few seconds of the chapter’s time. They are important because each man should have an opportunity to take part in the Ritualistic ceremonies if he is not present for either the opening or closing of the meeting.[2]
Ritual often done by people, usually associated with religious context. Ritual can be interpreted as a specific behavior that is formal, done in a certain time on a regular basis, not just as a technical routine, but rather refers to actions based on religious belief to the power or mystical powers.

We show how certain features of collective rituals—by conveying information about potential danger and presenting appropriate reaction as a sequence of rigidly described precautionary measures—probably activate this neurocognitive system. This makes some collective ritual sequences highly attention-demanding and intuitively compelling and contributes to their transmission from place to place or generation to generation.[3]

According to the late Roy Rappaport, a proper account of ritual should address the question why do human beings engage in rituals at all?, which remains unanswered in anthropological or psychological theories (Rappaport 1999). There are specific reasons for this failure but also a general problem with the very notion of a “theory of ritual.”[4]

There are collective rituals in human groups because certain sets of actions are selected through cultural transmission as more compelling or “natural” than other possible sets of actions.[5]

 SHAKESPEAR’S DRAMA

William Shakespeare is the most famous writer of plays in the English language. He was born in 1564, in Stratfordupon-Avon. He wrote thirty-nine plays and hundreds of poems. His plays were performed for Queen Elizabeth I and King James I. In 1610 he returned to Stratford and continued to write until his death in 1616.

From the late 1580s to 1594, Shakespeare experimented with different kinds of comedy. From 1594 to 1599 Shakespeare continued to concentrate on comedies and histories. In the third period, from 1599 to 1608, Shakespeare abandoned romantic comedy. Shakespeare’s final phase, from 1608 to 1613, is dominated by a new style of comedy on themes of loss and reconciliation.[6]

Drama, at least according to the Aristotelian view, is effective inasmuch as it successfully mirrors real aspects of human behavior.[7]

Dramas depend on the human capacity for social cognition—being able to follow how everyone relates to everyone else—and the relationships must be apprehended in real time.[8]

Shakespeare’s plays all depict a social group of several dozen characters, but these characters do not all appear simultaneously. Rather, they are presented interacting in subgroups in different scenes.[9]

Our analyses have shown that Shakespearean dramas are structured in a very specific way that mirrors patterns observed in real human interactions. Characters are connected by a small number of degrees of separation.[10]

EUROPEAN

In 1945, many European cities lay in ruins and people were homeless. Factories were destroyed, and bridges and railroads were bombed out. Without their homes and livelihoods, many Europeans were left in despair, not knowing how their lives could ever be normal again.[11]

The European Union is not at all like the United States or any other single country. It also is unlike any other international organization. It is a complex system that enables its member countries to work together to preserve peace and promote prosperity.[12]

The idea of creating a unified Europe was not a new one. In the 9th Century, the Frankish emperor Charlemagne dominated much of Europe.[13]

European countries are making good progress in including digital literacy in the curriculum. The teaching of this topic should emphasize the proper use of information technology resources and cover matters of ethics such as privacy and plagiarism.[14]        

The European Green City Index measures and rates the environmental performance of 30 leading European cities from 30 European countries. It takes into account 30 individual indicators per city, touching on a wide range of environmental areas, from environmental governance and water consumption to waste management and greenhouse gas emissions.[15]
  
CIVILIZATION
           

Civilization is have different meanings in relation to human society. Often this term is used to refer to a society that is "complex": characterized by the practice of agriculture, works and housing, compared with other cultures, members of a civilization will be arranged in a variety of complex division of labor in the social hierarchy structure.

 Civilization simply means: the comprehensive development of the human potential in all its dimensions: physical, intellectual, spiritual, moral and psychological. To achieve this potential, civilizations strive to develop, utilize, and conserve the natural resources, the benefits of which should fairly reach the whole society, and bring about positive effects on the whole world.[16]

 “Civilization” as a term comes from Latin civilis (of or proper to a citizen) as a derivation of civis (townsman) . The Turkish term medeniyet has also a similar correlation as it is derived from the Arabic word medina which means “town”.[17]

 Given this definition, it is obvious that a civilization has certain requirements to deserve its name. After all, civilization is a collective effort by the whole society, and its benefits cannot be restricted to few individuals or be limited to certain groups. Civilization has to bear fruits to all members of society.[18]

 What is civilization ? Civilization is the state of condition of persons living and functioning together, jointly, cooperatively so that they produce and experience the benefits of so living and functioning jointly and cooperatively. The word "civilization" derives from the Roman word for "city". It implies a society involving cities, and cities involve people living and acting together, jointly, cooperatively, interactively.[19]

The purpose of civilization must be to promote and achieve that goal :
- The society exists for its individual members -- not the individual members existing for the society.
- The economy exists for society's individual members -- not the members existing for the economy.
- The government exists for the members of society -- not the members existing for the government.[20]

REFERENCES
Ritualistic Statue, page 4, pdf
Ritualistic Statue, page 10, pdf
A Cultural Selection Model of Ritualized Behaviour, page 1, pdf
Theory of Ritual, page 1, pdf
Theory of Ritual, page 2, pdf
Divisions of Shakespeare’s plays, page 1, pdf
THE SMALL WORLD OF SHAKESPEARE’S PLAY, page 1, pdf
THE SMALL WORLD OF SHAKESPEARE’S PLAY, page 2, pdf
THE SMALL WORLD OF SHAKESPEAR’S PLAY, page 4, pdf
THE SMALL WORLD OF SHAKESPEAR’S PLAY, page 8, pdf
INTRODUCTION TO THE EUROPEAN UNION,  Scenes from Europe at the end of World War II, page 1, pdf
INTRODUCTION TO THE EUROPEAN UNION, page 13, pdf
INTRODUCTION TO THE EUROPEAN UNION,page 2, pdf
Europe cannot afford to miss the boat, page 3, pdf
European Green City Index, page 3, pdf
Toward a Muslim Constructive Role In the Contemporary World Civilization , Dr. Fathi Osman, page 1, pdf
Early Civilization, Erdal Yavuz, page 1, pdf
Toward a Muslim Constructive Role In the Contemporary World Civilization , Dr. Fathi Osman, page 1, pdf
What Is Civilization ?, page 1, pdf
What Is Civilization ?, page 2, pdf





[1] Ritualistic Statue, page 4, pdf
[2] Ritualistic Statue, page 10, pdf
[3] A Cultural Selection Model of Ritualized Behaviour, page 1, pdf
[4] Theory of Ritual, page 1, pdf
[5] Theory of Ritual, page 2, pdf
[6] Divisions of Shakespeare’s plays, page 1, pdf
[7]THE SMALL WORLD OF SHAKESPEARE’S PLAY, page 1, pdf
[8] THE SMALL WORLD OF SHAKESPEARE’S PLAY, page 2, pdf
[9] THE SMALL WORLD OF SHAKESPEAR’S PLAY, page 4, pdf
[10] THE SMALL WORLD OF SHAKESPEAR’S PLAY, page 8, pdf
[11]  INTRODUCTION TO THE EUROPEAN UNION,  Scenes from Europe at the end of World War II, page 1, pdf
[12] INTRODUCTION TO THE EUROPEAN UNION, page 13, pdf
[13]  INTRODUCTION TO THE EUROPEAN UNION,page 2, pdf
[14]  Europe cannot afford to miss the boat, page 3, pdf
[15] European Green City Index, page 3, pdf
[16]  Toward a Muslim Constructive Role In the Contemporary World Civilization , Dr. Fathi Osman, page 1, pdf
[17] Early Civilization, Erdal Yavuz, page 1, pdf
[18] Toward a Muslim Constructive Role In the Contemporary World Civilization , Dr. Fathi Osman, page 1, pdf

[19] What Is Civilization ?, page 1, pdf
[20] What Is Civilization ?, page 2, pdf

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